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Did you see Dawn of the Planet of the Apes? Erin and Bryan did and we're not... more »
Published July 22, 2014 32k views More Info »
Additional Credits
Additional Credits:
Starring Erin Gibson & Bryan Safi
Special Guests Jack and Rachel Antonoff
Written by Erin Gibson & Bryan Safi
Special Guest: LP
Producer: Ross Buran
Producer: Ben Sheehan
Camera Op: Cristina Dunlap
Editor: Ian Skalski
Camera Op: Matt Sweeney
Art: Tricia Robertson
Follow Erin & Bryan on Twitter
Erin:
http://www.twitter.com/gibblertron
Bryan:
http://www.twitter.com/bryansafi

> (ERIN): THIS IS
(ERIN AND BRYAN TOGETHER): THROWING SHADE.
> (BRYAN): WHERE FEMINASTY ERIN GIBSON,
> (ERIN): AND HOMOSENSUAL BRYAN SAFI,
> (BRYAN): TAKE A LOOK AT THE HEADLINES AND POLITICS,
> (ERIN): AND POP CULTURE,
> (BRYAN) AND TREAT THEM WITH MUCH
LESS RESPECT THAN THEY DESERVE.
> (ERIN): CAN YOU HANDLE IT?
> (in a pretend doggy voice: HI, BRYAN.
> OH THERE SHE IS.
> MY NAME IS JAYDA.
> HI JAYDA.
> I LOVE ALL...
I'M HERE TO TALK
ABOUT DOG ISSUES.
> I'M NOT GOING TO DO THIS ALL DAY.
> BONES ARE GOING UP.
> MM-HMM.
> I HAVE... DO YOU KNOW HOW
MANY CATS ARE GETTING MY JOB?
> ERIN, BUT I SEE YOUR MOUTH MOVING.
> OH.
> THAT'S WHAT SUCKS. THERE WE GO.
> HI JAYDA.
> I WISH THERE WAS A PURGE--
> (laughs)
> IS THAT, FOR ONE DAY A WHOLE YEAR--
> IT LOOKS LIKE YOU'RE SOBBING BEHIND A DOG.
> MMH... THIS FEELS GOOD.
> SO FUN FOR ME.
> OH MAN--
> I DO LOVE DOGS.
> IT'S LIKE BEING LICKED BY A FISH.
> OR A DOG.
> YEAH, BUT WITH A FISH MOUTH.
> SURE.
> BYE JAYDA.
> BYE JAYDA.
> SHE DIDN'T GO ANYWHERE.
> SHE'LL STAY RIGHT THERE.
> SHE'S OLD. SHE DOESN'T
KNOW WHAT TO DO.
> SHE'S WORLD WEARY.
SHE'S SEEN IT ALL.
> DO YOU WANT
TO SMELL MY FACE?
> NO.
I'LL TELL YOU WHAT PISSED ME OFF.
> WOAH, WHAT A CHANGE
JUST NOW.
> I KNOW, BECAUSE IT REALLY PISSED
ME OFF AND WE TALKED A
LITTLE BIT ABOUT IT, BUT
I THINK IT'S WORTH MENTIONING.
DAWN OF THE
PLANET OF THE FUCKING APES.
> OH.
> I HATED IT.
> YEAH.
>>I NEVER HATED A MOVIE MORE.
AT FIRST I WAS FINE, I WAS
EATING MY POPCORN, AND I
SAW THE FIRST FIVE MINUTES--
> WELL I ALREADY SEE THE PROBLEM.
YOU CAN'T EAT
POPCORN IN THE MOVIES NOW.
IT'S VERY--
> I KNOW WHAT I DO.
I EAT POPCORN... I POP IT MYSELF
IN THERE.
> OH.
> I TAKE A LIGHTER, AND I
HOLD IT UNDER THE JIFFY POP
AND I DO LIKE THIS WITH
THE METAL THE
WHOLE TIME, AND IT POP,
POP, POP, POP, POPS--
> YEAH.
> IF I CAN'T HEAR WHAT'S
HAPPENING OVER
THE POPPING, I HATE THE MOVIE.
FIRST FIVE MINUTES
OF THAT MOVIE I WAS LIKE,
OH,
IT'S JUST APES.
A) IT'S JUST APES.
B) THERE'S ONLY
ONE FEMALE APE, AND SHE'S
BASICALLY DYING. THERE WAS THE ONLY REPRESENTATION
OF A WOMAN IN THAT MOVIE.
> DID YOU KNOW THAT, THAT WAS
PLAYED BY JUDY GREER?
> WHICH IS MORE INSANE, THAT
THEY WERE LIKE,
WHO SHOULD WE GET TO GO LIKE THIS?
ONE WOMAN CAN DO IT. JUDY GREER.
WHY WAS SHE IN THAT MOVIE?
> THEY WERE BASICALLY LIKE,
JUDY, DO YOU WANT TO MAKE
$75,000 DOLLARS, ALL YOU
HAVE TO DO IS WEAR A TRON
SUIT WITH A BUNCH OF DOTS ON IT.
> INSANITY. AND THEN
A) ALL OF THAT,
B) SHE WAS THE ONLY FEMALE APE,
C) NO
GAY APES, AND D) WOW, I'M SO TIRED
> WOW, THERE WERE GAY
APES BUT THEY WERE...
YOU KNOW THAT UNDERGROUND THING
WHERE ALL THE HYDRO
ELECTRIC PLANT? THAT'S
WHERE THEY KEPT THE GAY APES.
> OH, THEY DID.
THAT'S JUST WHAT YOU THOUGHT.
> THERE WERE
PLOT HOLES AND I FILLED THEM IN.
> ARE YOU STILL DOING
THAT THING WHERE YOU SCREAM
OUT THE PLOT HOLES DURING IT?
I'LL TELL YA--
> THE GAY APES ARE IN THE HYDRO-ELECTRIC
PLANT EVERYBODY.
> THAT'S WHY YOU AND I--
> THEY'RE IN PRISON.
RISE UP. THIS SHOULD BE THE RISE
OF THE PLANET OF THE APES.
> WE'VE NEVER--
> OR DAWN. THEY
NAMED IT BACKWARDS.
> YEAH. I AGREE.
> IT WAS RISE THEN DAWN?
> I DON'T KNOW JUST GET
TO THE FUCKING PLANET.
> IT'S CALLED--
> WHEN IS IT THE PLANET? WHY DO
WE NEED TWO MOVIES BEFORE THE PLANET?
> WE'RE GOING TO
NEED A THOUSAND MOVIES
TO GET US TO THE 1970S.
> THIS IS NOT WHAT
CHARLTON HESTON HAD IN MIND. I'M
JUST, WELL WHATEVER, (sigh) I-I...
> ARE YOU OK?
> NO I AM NOT. A) I'M ABOUT
TO HAVE A HEAT STROKE.
B) APES DID NOTHING,
I MEAN NOTHING... IT MADE ME EXCITED
FOR TURTLES, AND I DON'T GIVE A FUCK.
I DON'T WANT
TO WATCH TEENAGERS BE TURTLES.
I COULD BARELY
WATCH A TEENAGER AT HOME
DRIVING ME CRAZY WHEN THEY
GET IN AT 12:30 AM. AND THEN
THAT PLUS TURTLES?
> WHO ARE YOU LOOKING AT?
(laughs) YOU'RE LOOKING
STRAIGHT UP. I UNDERSTAND
LOOKING TO THE SIDE--
> I FEEL SORRY FOR ALL
THE MOMMAS, ALL MY MOMMAS--
THAT'S WHAT SARAH PALIN
SHOULD DO THIS YEAR--
ALL YOUR MOMMIES?
> ALL MY MOMMA TURTLES,
AREN'T WE SICK OF THE TEENS?
> THAT'S WHO WILL WIN PRESIDENT.
> THOR'S GOING TO BE A WOMAN.
> YEAH I HEARD.
> DO YOU KNOW WHO THOR IS?
> BY HAMMERS RIGHT... WHATEVER.
HE IS THE ORIGINAL JUDGE JUDY?
> HE IS.
> HE SMASHES IT DOWN
AND SERVES JUSTICE.
> AND, BUT DOES WEAR A CAPE.
THEY ANNOUNCED THIS
ON THE VIEW WHICH IS--
> THAT'S THE WAY TO DO IT.
COMIC BOOKS AND THE VIEW
GO TOGETHER LIKE PEANUT BUTTER
AND FECES. I DON'T EVEN KNOW.
> I THINK THEY DID
IT BECAUSE THE VIEW IS A
DISNEY COMPANY, AND MARVEL'S
OWNED BY DISNEY.
> OOH, THAT COULD BE TRUE.
> I DON'T KNOW.
> WHY CAN'T THE VIEW HAVE A
SUPERHERO MOVIE?
> NO.
> YES.
> MM-MM.
IT WOULD BE ANNOUNCED THAT THOR'S
GOING TO BE A WOMAN.
SO BIG NEWS ON THE VIEW.
> THIS IS HOW SHE ANNOUNCED IT.
OH, IT'S GOING TO BE A WOMAN.
THAT'S WHAT SHE DOES ON THAT SHOW.
> SHE CLOSES HER EYES.
> SHE JUST TAKES A NAP AND THEN
IS LIKE, NOW, GREAT.
> YEAH
THEY DO HAVE A CATTLE
PRODDER THAT ZAPS HER--
> SHE JUST GETS ZAPPED,
AND THEN SHE SPEAKS UP.
> THIS IS FROM THE PRESS
RELEASE FROM MARVEL.
THE INSCRIPTION ON THOR'S HAMMER
READS WHOEVER HOLDS
THIS HAMMER, IF HE BE WORTHY,
SHALL POSSESS THE
POWER OF THOR. WELL
IT'S TIME TO UPDATE
THAT INSCRIPTION.
AND THIS NEW THOR ISN'T A
TEMPORARY FEMALE SUBSTITUTE.
SHE'S NOW THE ONE,
AND ONLY THOR,
AND SHE IS WORTHY.
THAT'S LITERALLY IN THE
PRESS RELEASE--
> SO MALE
THOR IS GONE?
> NO, HE STILL EXISTS--
> OH.
> BUT HE FUCKED UP,
AND YOU KNOW WHAT THEY
SAY, A MAN DONE FUCK UP,
A LADY HAS TO FINISH IT.
> RIGHT.
> SO, THAT'S WHAT HAPPENED.
THEY TOOK
FROM THAT OLD SAYING, AND
THEY MADE THIS NEW THOR.
THE GUY WHO WRITES THOR,
JASON AARON, TWO FIRST NAMES.
> THAT'S FROM GAME OF THRONES.
> JASON AARON?
> YEAH.
> HUH?
> WHO'S THE ONE THAT DIES
AT THE FIRST EPISODE OF
GAME OF THRONES?
> BOBBY BROWN?
> OK.
> ROBERT STARK?
> NO, YOU DON'T KNOW.
> YOU DON'T KNOW EITHER.
> YES, I DO. I'VE BEEN WATCHING
SEASON ONE.
> YEAH, BUT I REMEMBER,
THAT WAS 4 YEARS AGO.
> THE HEAD OF THE KING. WHOEVER...
I DON'T CARE,
I DON'T CARE ANYMORE. EH, GO.
TO ME IT'S THE HOBBIT.
TO ME IT'S THE HOBBIT.
> WHY ARE YOU WATCHING
IT THEN?
IT'S NOT THE HOBBIT.
> IT IS THE HOBBIT.
> SO, JASON AARON SAID,
JUST TO CLARIFY, THIS IS NOT
SHE-THOR, THIS IS THE THOR
OF THE MARVEL UNIVERSE.
I LOVE HIS LIKE, DON'T COME AT
ME WITH ALL YOUR BULLSHIT
INTERNET BECAUSE I'M NOT HAVING IT.
> THIS IS THE
LAST THOR--
> I WRITE THIS SHIT, AND
I TELL YOU
HOW IT IS.
> YEAH.
> AND PEOPLE, YOU'LL BE
SHOCKED, HAVE A PROBLEM.
> I BELIEVE IT.
> YEAH.
> I MEAN, WHO IS THAT IN TO THOR?
LIKE GAY PEOPLE RIGHT?
> NO.
> TO ME, THOR HAS
ALWAYS BEEN LIKE A GAY ICON,
LIKE THE LONG BLOND HAIR,
THE CHISELED THING, LIKE THE HEMSWORTHS.
> A LOT OF THE
GIRLS WERE COMPLAINING BECAUSE,
SOMEONE TWEETED,
I HEAR THOR IS NOW A FEMALE.
SO WHAT HAPPENS TO
CHRIS HEMSWORTH?
> HE DIES.
> WE MURDER HIM. YEAH.
WE HAVE TO MURDER HIM IN REAL LIFE.
> THAT'S JUST THE END OF THE ROAD.
> THIS KID
JACKSON HOLLAND SAID,
THEY TURNED THOR IN TO A GIRL,
WTF.
> YEAH.
> BUT DIDN'T SAY A QUESTION MARK--
> YEAH.
> BECAUSE IF YOU
START WITH WHAT, IT'S USUALLY
A QUESTION.
> I THINK IT MEANS WHAT THE FUN.
HE PROBABLY LOVES
IT.
> OH. YOU'RE RIGHT.
THAT'S WHY HE USES ALL OF
THESE ELLIPSES. THIS IS
ROCK MORNINGS, MARVEL IS
REPLACING THOR WITH A WOMAN.
THE OUTFIT WILL REMAIN
THE SAME, BUT THE WEAPON WILL
CHANGE FROM A HAMMER
TO A BALL BUSTER.
> OH GREAT.
AND WHAT'S THAT LOOK LIKE?
> WELL, UM--
> A HAMMER PROBABLY?
> YEAH, IT'S A HAMMER. YEAH.
> BUT DO THEY THINK SHE'S
LIKE AN ANGRY HOUSEWIFE?
> YES.
> IS THAT WHAT THE NEW THOR IS?
> THIS IS MS. WHITE PAID.
> FROM CLUE?
> YEAH, YOU BETTER BELIEVE.
> I'M SORRY, BUT @MARVEL I'M A
WOMAN AND I LOVE READING
COMICS AND WATCHING SUPER
HERO MOVIES.
> BUT I HATE MYSELF.
> I DON'T WANT A FEMALE THOR.
> OK.
> HASHTAG #IMHO.
WELL, WHAT ARE YOU BASING
IT OFF OF?
YOU JUST HATE OTHER WOMAN?
> DO PEOPLE IDOLIZE THOR?
BECAUSE I COULD SEE HOW LIKE
A BIG COMIC BOOK NERD WOULD
BE LIKE, "WHAT HAPPEN TO
MY THOR.", LIKE WOULD JUST BE HEART
BROKEN OVER THOR DISAPPEARING.
> BUT THESE ARE--
> IF SOMEONE TOLD ME THE
ROLE OF WHITNEY HOUSTON
FROM NOW ON WILL BE PLAYED
BY FRENCH STEWART, I WOULD
BE SO PISSED.
> THAT WOULD NEVER HAPPEN.
> I MEAN THAT'S TRUE.
> NOBODY CARES ENOUGH TO LIKE
STUNT CAST WHITNEY HOUSTON.
> (laughs)
> YOU KNOW WHAT I MEAN?
WE GET TO KEEP OUR OVER PRECIOUS
PEOPLE BECAUSE SO THEY'RE SO
FEW OF THEM.
> OK.
> TIME MAGAZINE SPOKE TO
JASON AARON, AND ASKED HIM
DO YOU CHANGE THE WAY YOU
WRITE FOR A FEMALE CHARACTER
ROLE, AND HE HAD THE BEST ANSWER,
HE SAID, "NO, I MEAN IT DOESN'T
CHANGE FOR ME. THE STORY
DIDN'T COME ABOUT BECAUSE
OF ANY SORT OF MANDATE.
IT'S NOT LIKE WE THREW A DART AT
A BOARD AND SAID WE'RE GOING
TO CHANGE THIS CHARACTER, AND
MAKE IT FEMALE. I'VE WRITTEN
STORIES ABOUT CANADIAN MUTANTS
WHO ARE 150 YEARS OLD,
AND ALIENS IN SPACE, BUT IT
DOESN'T MATTER THE RACE OR
GENDER OR WHERE THESE PEOPLE
ARE FROM, IT'S ALL ABOUT
FIGURING OUT THE CHARACTER
AND TELLING THE STORY.
I JUST THINK THAT'S BEAUTIFUL.
> SPOKEN LIKE A JACKASS.
> YEAH, OH YEAH. HEAR THAT
JAMES AARON.
> MM-HMM.
> THE ONLY AARON I RECOGNIZE
IS GIBSON, AND I'M
REALLY, SO TIRED OF PEOPLE
SAYING THAT IT'S A GIMMICK
TO BE INCLUSIVE. IT'S JUST
TRUTH TELLING. WHAT IF
IT IS A FUCKING GIMMICK,
AND THEY'RE LIKE WE CAN REACH
A NEW AUDIENCE BY HAVING
WOMAN IN THERE. GOOD.
> YEAH.
> SHAKE THINGS UP.
> YEAH.
> WE DON'T NEED STATUS
QUO IN THE FUCKING
BOXES, IN YOUR LITTLE BOX PAGES.
> NO, GET YOUR
BOXES OUT OF STORAGE.
UNPACK'EM, PUT OUT THE LIGHTS...
> TURN ON THE LIGHTS?
> NO, IT'S CHRISTMAS TIME.
> OH.
> HANG THOSE WREATHS,
LIPSTICKS UP,
AND LET'S NOT PACK THOSE
BOXES FOR MANY YEAR TO FOLLOW.
> WHAT?
> BRIAN.
> I KNOW.
WE BROUGHT A VERY COOL GUEST
TO THE HOTTEST CLIMATE IN
THE WORLD.
> (laughs)
HI, LP.
> HI. I FEEL LIKE IT'S TROPICAL HERE.
> OH YEAH.
> IT'S VERY TROPICAL.
> IT'S NICE.
THAT'S ONE WORD FOR IT.
ANOTHER WORD IS
WE DON'T HAVE AC. DO YOU
WANT TO HEAR A FUNNY
STORY ABOUT SWEATING?
> NO.
> OK. WELL, UH, LISTEN TO IT.
> (she laughs)
> SO I ORIGINALLY SAW YOU
PERFORM INTO THE WILD ON,
DO YOU KNOW DAVID LETTERMAN?
> OH, YES.
SO YOU WERE ON THAT SHOW.
> (she laughs)
> AND YOU WERE SINGING THE SONG AND I REMEMBER, I WAS
LIKE, YOU KNOW, COLLAPSED
IN A BUCKET OF WINE, WATCHING TV.
> RIGHT.
> AND THEN I SAW YOU PERFORM,
AND I WAS LIKE, WHAT'S GOING
ON. IT WAS SO ENERGIZED...
> (she laughs)
EVERY MORNING ON THE
ELLIPTICAL THAT'S MY FIRST SONG.
> NO...
> I'M NOT KIDDING.
> WOW.
> IS THAT A--
> THAT GETS YOU GOING.
> IS THAT A COMMENT, I MEAN IS
THAT A COMPLIMENT?
> IT'S THE TRUTH.
> PRETTY AWESOME.
> IT'S A TOTAL COMPLIMENT. IT MAKES
ME FEEL FEARLESS.
> YEAH. (laughs)
> IT MAKES ME FEEL LIKE
I'M UP FOR ANYTHING AS LONG
AS I'M MOVING, BUT I'M NOT
REALLY GOING ANYWHERE.
> RIGHT, RIGHT. (laughs)
I LOVE THAT SONG.
> IT MAKES YOU FEEL LIKE
THERE'S BEEN NO FORWARD MOTION
AT ALL.
> YES.
> DO YOU KNOW IT'S IRONIC
BECAUSE THE SONG IS ABOUT
TECHNOLOGY RIGHT?
> OH YEAH, EXACTLY.
> AND YOU'RE ON TECHNOLOGY
LISTENING TO THE SONG. YOU
TOTALLY MISSED THE POINT--
> OH.
> --OF THE SONG
> NO, NO I DIDN'T BECAUSE I WAS
WATCHING TV, AND I HAD
MY EAR PHONES IN.
> YEAH.
> I THINK I WAS WATCHING
REGIS AND KELLY.
> THEY INSPIRE ME A LOT.
> YEAH.
> YOU MADE THIS MOTION.
> (ERIN AND LP): THEY INSPIRE ME.
> YOU ALSO IN ALL OF YOUR
SONGS HAVE THIS INSANE ABILITY
TO WHISTLE.
> MMH...
> IS THAT FROM CHILDHOOD?
> THE WHISTLING YEAH. IT
ALWAYS HAS BEEN.
I THINK I WAS...
> DID YOU WORK WITH AXL ROSE?
> UM...
> (whispers) DOES HE WHISTLE?
> PATIENCE.
> HE GAVE ME A FEW POINTERS.
> BECAUSE
REALLY IT'S AXL ROSE,
ANDREW BIRD, AND YOU.
> YEAH I THINK SO.
> WHO'S ANDREW--
> ANDREW BIRD?
> OH, YEAH.
> I WASN'T AS FAMILIAR WITH
ANDREW BIRD AS I COULD'VE BEEN,
AND PEOPLE KEPT SAYING
ANDREW BIRD, AND I LOOKED
HIM UP AND I LOVED HIM.
> YOU GUYS WHISTLE DIFFERENT.
> I ALWAYS... YEAH, THAT'S GOOD.
> BUT HE ONLY DOES
BIRD CALLS. SOMEONE TOLD
ME THAT IT WAS IMPOSSIBLE
TO WHISTLE THE THEME SONG FROM FRIENDS.
DO YOU KNOW THAT TO BE TRUE?
> I DON'T... DO THEY SAY THAT?
> YEAH.
> THEY REALLY DO?
(attempts to whistle the
Friends theme song)
> OOH, YOU DID IT.
WELL YOU DID IT.
> I DON'T KNOW. THAT'S HARD.
> YOU DID IT.
> DO YOU KNOW PEOPLE
HAVE DIED TRYING TO DO THAT?
> (laughs) YEAH.
> REALLY?
> YEAH.
> I DON'T KNOW.
I NEED A LITTLE MORE
PRACTICE, BUT I THINK I
COULD GET IT.
> YOU BASICALLY NAILED
IT THE
FIRST TIME THROUGH.
> (laughs)
> OK, DO YOU KNOW WE HAVE
THE SAME TATTOO YOU AND I?
> WE DO.
(together) YOU HAVE TCB.
> YEAH, ON MY BACK.
> OH MY GOD, I THINK THAT'S MY ARM.
NO, ON THE BACK.
OH MY GOD, IT'S THE SAME.
> IS IT FROM THE JIM BELUSHI
MOVIE? OH, IT'S NOT.
HE HAD A MOVIE CALLED TAKING
CARE OF BUSINESS,
BUT IT'S NOT FROM THAT?
> NO, IT'S
ALL FROM ELVIS.
> OH, YEAH.
> PEOPLE SEE THAT AND THEY'RE
ALWAYS LIKE, OH MY GOD
YOU'RE A HUGE FAN.
> YEAH.
> AND I JUST LIKE THE
SENTIMENT BEHIND IT.
> TO ME, TAKING CARE OF
BUSINESS IS NOT LETTING
EMOTIONS GET IN THE WAY OF LIKE--
> YEAH, EXACTLY.
AND KEEP GOING.
STAY ON THE PATH.
JUST LIKE KEEP--
TAKE CARE OF BUSINESS THEN
UH, YOU KNOW--
> IS THAT ABOUT THE TIME YOU
WERE WRITING SONGS FOR
HEIDI MONTAG?
> (laughs)
> WHICH IS ONE OF MY FAVORITE
FACTS ABOUT YOU
BY THE WAY. YOU'VE WRITTEN FOR LIKE
THE MOST INCREDIBLE PEOPLE,
LIKE RIHANNA, CHER, CHRISTINA AGUILERA--
> YEAH.
> AND THEN HEIDI MONTAG
WAS ON THAT LIST.
> YEAH. AND THEN THERE IS
LIKE JOE WALSH. I HAVE THE
MOST DIVERSE CATALOG IN THE WORLD.
> SO WE WOULD LIKE
TO FINISH BY PLAYING A QUICK
GAME WITH YOU CALLED SHADE
OR NO SHADE.
> OK.
> WHERE IF YOU LIKE SOMETHING,
YOU SAY NO SHADE.
IF YOU DON'T LIKE SOMETHING YOU SAY SHADE.
> OK.
> HOT DOGS?
> SHADE.
> APPLE TV'S TINY LITTLE REMOTE?
> (laughs) TOTAL SHADE, DUDE.
> FULL BLOWN.
> EVERY TIME I LOOK, I SWEAR TO
GOD I COULD BE LIKE...
> YEP.
> AND AS SOON AS I GO
BACK FOR IT THAT SHIT
IS GONE.
> GONE. I DON'T KNOW HOW
THEY DO IT. I DON'T KNOW...
> WELL, HOW DO THEY--
> I GUESS THEY HAVE MICE OF THEIR OWN.
> THAT'S AMAZING I THOUGHT
I WAS THE ONLY PERSON LIKE--
> NOPE, EVERY BODY--
> LOSING MY MIND.
> THEY'RE THE WORSE.
> THE WORDS MOUTH FEEL.
SO, THE NEW YORK TIMES
DOES THIS LIKE COOKING SERIES--
> ALRIGHT, WE GET IT.
WE KNOW WHAT YOU READ.
> (laughter)
> THEY HAVE REALLY GOOD RECIPES. AND THE WOMAN
WAS MAKING SOUP AND SHE
SAID, I LIKE ADDING CREAM
BECAUSE IT GIVES US A
SILKY MOUTH FEEL,
AND I BARFED--
> YEAH, MAN.
> WHEN SOMEONE STARTS
SAYING THAT
IT'S LIKE, WELL I GUESS--
> MOUTH FEEL DOES NOT
LIKE BELONG IN--
FIRST OF ALL IT'S
A VERY UNSEXY TERM,
AND FOOD SHOULD
NOT BE SEXY, REALLY--
> YEAH.
> BUT REALLY, I DON'T KNOW,
IT JUST RUINS IT.
> IT'S WRONG.
> THE SINGER NICO.
> OH MY GOD.
> I MEAN TO ME THE MODEL NICO, BUT--
> YEAH, NO SHADE YO.
> NO SHADE.
> YOU DON'T LIKE HER?
> SEE, I DON'T LIKE NICO.
> REALLY?
> NO.
> I LOVE HER VOICE.
> (imitates Nico singing) uh, these days.
> (laughs)
> I can't get off the couch
> SHE DOES SOUND A LITTLE SLOW,
BUT IT'S A BEAUTIFUL VOICE.
> SHE SOUNDS LAZY.
(interposing chatter)
> I WANT TO SEE A SIMPSONS
VERSION OF HER.
> THEY SHOULD...
> SHE NEVER HAD A FACIAL
EXPRESSION EVER IN HER LIFE.
> SHE DIDN'T NEED ONE... BEAUTY.
> WELL YOU WON, YOU WON--
> YOU WON SHADE OR NO SHADE.
YOU WON THE INTERVIEW.
WE WIN, BECAUSE YOU'RE GOING TO
SING A SONG FOR US.
> YES. I AM.
> YES.
> WHICH SONG ARE
YOU GOING TO SING?
> I WAS GOING TO SING A
SONG CALLED TOKYO SUNRISE.
> YES!
> JESUS.
> OH, I'M SO SORRY,
I DIDN'T WANT US TO
ASK YOU TO PLAY IT BUT YOU
KNOW EVERYONE KNOWS THIS--
THAT'S MY FAVORITE.
> OH, GOOD.
> THAT IS MY FAVORITE,
AND IT MAKES ME... I MIGHT CRY.
> IT'S FOR YOU.
> I'M NOT GOING TO JOKE, I MIGHT CRY.
> AS LONG AS YOU JUST...
I WANT YOU TO SIT RIGHT DEAD CENTER
IN FRONT OF ME AND
JUST CRY ABOUT IT.
> DO A SUSAN POWTER CRY,
JUST STARE AT LP IN THE EYES, AND WEEP.
FOREVER FOR NOW IS OUT, NOW.
> IT IS OUT.
> THAT'S THE WAY TO SAY IT. ALRIGHT, THANKS LP.
> SO EXCITED.
> THANK YOU SO MUCH.
IT WAS REALLY FUN.
(acoustic guitar plays)
> (sings) Said a lot of
words along the way
I meant them all
while we reigned
But shores of love get
beaten by the waves
And after it was done
I wish I'd saved time
One less spark from the flame
One more heartbeat away
I think I lost your scent
after the rain
I'll find you when our
paths cross by the gold mines
Ooooh, ooooh
Where you gonna go
Where you gonna go
I can tell you that
Oooooh, yeah
Some day in the sky
We'll see the same
sun on the rise,
yeah
Wherever you go
Far as Tokyo
I can say
I'll see you again
I'll see you again
I'll see you again
Ohh, ohh, ohh
oooohh, oooohh, oooohh
oooohh, oooohh, oooohh
oooohh, oooohh, oooohh
Aching with a debt never paid
Horses broken and splayed
Breathing half a breath
since you're away
But while your blood is
warm I'll keep the home fires
Oooooooooooooh
Where you gonna go
Where you gonna go
I can tell you that
Ooooh, ooooh
yeah
Someday in the sky
We'll see the same
sun on the rise, yeah
Wherever you go
Far as Tokyo
I can say....
I'll see you again
I'll see you again
I'll see you again
Ooooooooooh ohhhh oh
Ooooooooooh ohhhh
Ooooooooooh ohhhh oh
Ooooooooooh
Love is never gone away
It's gonna come around some day
Love is never gone away
It's gonna come around some day
I'll see you again
Yeah, I'll see you again
Ooooooooooh, Oooooh
Ooooooooooh, Oooooh
Ooooooooooh, Oooooh
Ooooooooooh, Oooooh
(music stops)
(studio cheers)

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