Full Credits
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DJ Premier
- Actor
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Jerrod Carmichael
- Actor
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Royce da 5'9
- Actor
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Lady of Rage
- Actor
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Miguel
- Actor
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Jake Fogelnest
- Writer
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Jordan Vogt-Roberts
- Director
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Betsy Koch
- Executive Producer
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Funny Or Die
- Uploader
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Eleanor Winkler
- Coordinator
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Jessica Leigh Schwartz
- Hair and Makeup
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BoTown Sound
- Sound Mixer
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Ian Skalski
- Editor
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Funny Or Die Music
- Channel
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Additional Credits
DJ Premier
Jerrod Carmichael
Royce da 5'9
Lady of Rage
Miguel
Writer: Jake Fogelnest
Director: Jordan Vogt-Roberts
Executive Producer: Betsy Koch
Coordinators: Eleanor Winkler, Drew Foster
DP: Zach Zdziebko
B Camera Op: Greg Gill
2nd AC: Bryce Holden
Gaffer: Zach Rassmussen
Grip: Adam Geise
Studio Engineer: Josh Franks
HMU: Jessica Leigh Schwartz
PAs: Libby de Leon, Edgar Castillo
Mixer: Kayla Croft for BoTown Sound
Editor: Ian Skalski
Studio: Stagg Street Studio
Stats & Data
Transcript
(hip hop instrumental plays)
> DAMN!
> YEAH MAN.
> AMAZING.
> YES, YOU KNOW WHY?
> WHY?
> CUZ I'M DJ PREMIERE.
> DJ MOTHER FUCKIN' PREMIER.
> WHOO, I LIKE THAT.
> WE SHOULD PUT THAT ON T-SHIRTS.
> YES.
> WE GOT A BUSY DAY TODAY.
> OK.
> WE GOT ROYCE DA 5'9.
> WHOO, HE'S DOPE.
> I THINK HE'S HERE. ROYCE!
> WHAT'S UP MY BROTHER?
> GREAT TO SEE YOU, GREAT TO SEE YOU.
> WHAT'S UP O.G.? HOW YOU DOING, MAN?
> GOOD, GOOD.
> I LOVE YOUR STUFF, YO.
> I WAS JUST TALKING TO PREMIERE HERE
AND WE'RE TALKING ABOUT WHO HE'S
WORKED WITH, RIGHT.
YOU GOT BIGGIE, JAY-Z, KANYE, LUDACRIS,...
> DON'T FORGET LIMP BIZKIT.
> FRED DURST.
> HELL YEAH.
> AND JUST ADD ROYCE DA 5'9 TO THIS
AMAZING LIST OF ARTISTS. SO
GREAT. SO I'M GLAD YOU'RE HERE.
> IT'S AN HONOR MAN, YEAH.
> YOU'RE GOING TO HEAR SOME
AMAZING TRACKS.
> ALRIGHT.
> I HOPE YOU'RE READY.
> I'M EXCITED MAN.
> I'M EXCITED.
> AND IT GOES A LITTLE
SOMETHING LIKE THIS, HIT IT.
(bland piano instrumental plays)
> IS A BEAT GOING TO DROP?
> THAT IS THE BEAT.
> THAT'S THE BEAT?
> THAT'S THE BEAT.
> THERE AIN'T NO DRUMS ON IT PREEM.
> A CYMBAL IS A DRUM--
> A CYMBAL IS A DRUM.
> --PERCUSSION.
> YES.
> IT'S APART OF THE SAME FAMILY.
> OK, YEAH, BUT MAYBE WE COULD HEAR
SOMETHING ELSE TO KIND OF
COMPARE AND CONTRAST?
(interposing talk)
> MORE JAY-Z, NAS.
> 9-5 SHIT.
> MAYBE SOMETHING WITH SOME DRUMS.
> OK.
> OK.
(another unimpressive song plays)
> DO YOU FEEL THAT SHIT? DO
YOU FEEL IT? I CAN'T BREATHE.
> I'M ALMOST 99% PERCENT SURE THAT'S
THE THEME MUSIC FROM A FUCKING
ICE CREAM TRUCK.
> IT IS THE THEME MUSIC
TO THE--
> BRINGING HIP-HOP AND
ICE CREAM TOGETHER.
> OK.
> YOU LOVE IT RIGHT?
> GREAT TALK MAN.
> YEAH, YEAH...
> GREAT TALK, GREAT TALK...
> BUT YOU LOVE IT THOUGH RIGHT?
> LOVE YOUR MUSIC BROTHER.
> OK, ALRIGHT.
> LISTEN MAN, YA'LL HAVE
A GOOD NIGHT.
> ALRIGHT, YEAH. IT'S THE
MIDDLE OF THE DAY.
> I THINK THAT WENT WELL, RIGHT.
> YEAH.
> HE'S DEFINITELY GOING TO
BUY THAT TRACK.
> YOU WANT TO KNOW WHO'S NEXT?
> NO, WHO?
> A GOOD FRIEND OF YOURS.
> THE LADY OF RAGE HERSELF.
> WHOO...
> SHE'S HERE.
THERE SHE IS.
> YEAH...
> WHAT'S UP PREMIERE.
> WHAT'S UP DARLIN'?
> ABOUT TIME.
> YEAH, I KNOW.
> I'VE BEEN WAITING FOR A WHILE.
LET'S YOU KNOW, LET'S HEAR THAT.
(another unexpected non-hip
hop instrumental plays)
> WHOO...
> OH MY GOD, THAT'S A HIT.
THAT'S A HIT.
YEAH SO WHEN IS THE BEAT GONNA DROP?
> I DON'T KNOW.
I'VE BEEN LISTENING TO IT FOR
LIKE 7 HOURS NOW?
> YEAH.
> I DON'T HAVE A CLUE.
> WHAT THE FUCK IS GOING ON HERE?
> YOU NOT--
DO YOU NOT UNDERSTAND?
IT'S THE ANTICIPATION.
> LET ME GET PETE ROCK ON
THE PHONE. SEE YA'LL LATER.
> I REALLY THOUGHT SHE WAS NICER.
WHAT ELSE ARE YOU WORKING ON
OVER HERE?
> IT'S NOT DONE YET, BUT
I'LL PLAY IT FOR YOU.
(sounds like a turkey gobbling)
> DO ME A FAVOR, TURN
THAT OFF, TURN IT OFF...
SAVE THAT.
> YES.
> DON'T LET ANYBODY
HEAR THAT.
T-THAT'S...
> OH MY GOD, IT'S MIGUEL.
> WHAT'S UP?
> YO, HOW ARE YOU MAN - WHAT'S HAPPENING?
> WHAT'S UP MAN?
> VERY NICE TO MEET YOU.
> LISTEN I WAS WALKING BY
AND WORKING
IN THE STUDIO NEXT DOOR, AND
HEARD WHAT YOU WERE DOING.
WHAT IS THAT? CAN YOU PLAY
THAT ONE MORE TIME?
> THE TURKEY THING?
> CAN I HEAR THAT AGAIN?
THAT'S CRAZY.
(sounds like a turkey gobbling)
> THIS IS EXACTLY WHAT I'VE
BEEN LOOKING FOR.
> I MEAN IT'S A PRETTY SICK TRACK, YEAH.
> YA'LL DON'T UNDERSTAND, I'VE BEEN
WORKING ON THIS WHOLE SOUND--
LIKE I'VE BEEN TAKING A WHOLE YEAR
TO WORK ON THIS SOUND.
IT'S CALLED SOFT SWEATER MUSIC.
> SOFT SWEATER MUSIC.
> SOFT SWEATER MUSIC.
> WHAT'S THAT?
> IT'S LIKE BOTH OF YOUR FAVORITE
AUNTS GIVING YOU KISSES
ON BOTH SIDES OF THE CHEEK
AT THE SAME TIME.
OR LIKE BEING NAKED AND
PUTTING CASHMERE ON.
> THAT IS THE SOFTEST SHIT I'VE EVER
HEARD BEFORE IN MY LIFE.
> IT'S LIKE CHARMIN.
YEAH, CAN YOU PLAY THAT ONE
MORE TIME MAN?
> YEAH, WE CAN DO THAT.
(a turkey gobbling sound plays)
> (sings) Charmin
Oh, in grandma's kitchen.
> NO, NO...
(singing still) Oh, now...
> LET ME STOP YOU RIGHT
THERE, MY MAN, YEAH.
> RIGHT.
> HEY, NAW I DON'T THINK IT'S
THE RIGHT FIT.
THIS IS MORE SOME PAUL
MCCARTNEY TYPE SHIT.
> THE BEETLES.
> PREEMO THIS IS ME - WHAT'S UP MAN?
> I HEAR YOU MAN.
> THAT'S TOO, YEAH...
WE CAN'T. I'M SORRY.
> YOU KNOW WHAT? MAN FUCK YA'LL,
MAN. FUCK YA'LL.
> DAMN.
> LOVED YOUR LAST ALBUM THOUGH.
> YEAH.
> BUT SOFT SWEATER SHIT...
WE SHOULD DO SOMETHING WITH THAT.
> YEAH.
(he plays the sound of a
turkey gobbling again)
(Jerrod imitates the sound)
> IT'S LIKE HEARING
SHE LOVES ME, YEAH YEAH YEAH"
FOR THE VERY FOR THE FIRST TIME.
> LET'S CALL PAUL.
> YOU GOT HIS NUMBER?
> YEAH.
> THIS WHOLE TIME?
> MM-HMM.
> RINGO GOT IT.
> YOU KNOW RINGO?
> YES, I DO.
> I DIDN'T EVEN KNOW HE WAS ALIVE.














