Search Results for Hell

It's Jason's first week as a bug-guy with AAA#1 Termite Control, a small, shady company in Orange County California. This 11 episode webseries premieres Nov. 30th at www.cubazoaproductions... more >

It's Jason's first week as a bug-guy with AAA#1 Termite Control, a small, shady company in Orange County California. This 11 episode webseries premieres Nov. 30th at www.cubazoaproductions.com. Copyright 2009 Cubazoa Productions, LLC. < less

Long-time "UBS Evening News" anchor Howard Beale is fired because of declining ratings. He has two more weeks on the air, but the following night, Beale announces on live television that he ... more >

Long-time "UBS Evening News" anchor Howard Beale is fired because of declining ratings. He has two more weeks on the air, but the following night, Beale announces on live television that he will commit suicide by shooting himself in the head during an upcoming live broadcast.[2] UBS immediately fires him after this incident, but they let him back on the air, ostensibly for a dignified farewell, with persuasion from Beale's best friend and president of the News division Max Schumacher, the network's old guard news editor. Beale promises that he will apologize for his outburst, but instead rants about how life is "bullshit". Sympathetic towards Beale, and bitter over the station's treatment of him, Schumacher decides to keep him on the air to vent his frustrations. While there are serious repercussions, the program's ratings soar and, much to Schumacher's dismay, the upper echelons of UBS decide to exploit Beale's antics rather than pulling him off the air. In one impassioned diatribe, Beale galvanizes the nation with his rant, "I'm as mad as hell, and I'm not going to take this anymore!" and persuades Americans to shout out their windows during a lightning storm. Soon Beale is hosting a new program called The Howard Beale Show, top-billed as a "mad prophet". Ultimately, the show becomes the highest rated program on television, and Beale finds new celebrity preaching his angry message in front of a live audience that, on cue, repeats the Beale's marketed catchphrase en masse. Howard Beale (Peter Finch) delivering his "mad as hell" speech Beginning as a producer of entertainment programming, Diana Christensen's desire to produce a hit show for the network results in her cutting a deal with a group of left-wing terrorists (a parody of the Symbionese Liberation Army, called the "Ecumenical Liberation Army") who film themselves robbing banks, footage to be used as the cold-opening for a new series based on terrorists for the network that she wishes developed for the upcoming fall season. When Beale's nervous breakdown-fueled rants suddenly start to bring in high ratings, Christensen convinces her boss Frank Hackett to merge the news and entertainment division, so that she can produce Beale's news program. This brings Christensen into contact with Schumacher, leading to a love-hate relationship due to their mutual attraction to each other in spite of Schumacher's disdain for her exploitation of his best friend. The two ultimately begin an affair, which leads to Schumacher leaving his wife of over 25 years for Christensen. But Christensen's fanatical devotion to her job and emotional emptiness ultimately drives Max back to his wife, warning his former lover that she will self-destruct at the pace she was running with her career. Beale ultimately ends up going too far with his tirades upon discovering that the conglomerate that owns UBS will be bought out by an even larger Saudi Arabian conglomerate. Beale launches an on-screen tirade against the two corporations, encouraging the audience to telegram the White House with the message, "I'm mad as hell and I'm not going to take this any more!" in the hopes of stopping the merger. This throws the network into a state of panic due to the company's various debts making the merger necessary in order for it to survive. Beale is then taken to meet with Arthur Jensen, chairman of the company which owns UBS, who explicates his own "corporate cosmology" to the now nearly delusional Beale. Revealing himself to be quite as mad as Beale, Jensen delivers a one-on-one tutorial—almost a sermon in a darkened room that suggests to the delusional Beale that Jensen may be a higher power—describing the interrelatedness of the participants in the international economy, and the illusory nature of nationality distinctions. Jensen ultimately persuades Beale to abandon his populist messages. However, audiences find his new views on the dehumanization of society to be depressing, and ratings begin to slide. Despite this, Jensen will not allow executives to fire Beale as he spreads the new 'gratteau'. Still fixating on ratings, Christensen arranges for Beale's on-air assassination by the same group of urban terrorists who she discovered earlier and who now have their own UBS show, The Mao Tse-Tung Hour. [edit] Cast * Faye Dunaway as Diana Christensen * William Holden as Max Schumacher * Peter Finch as Howard Beale * Robert Duvall as Frank Hackett * Wesley Addy as Nelson Chaney * Ned Beatty as Arthur Jensen * Beatrice Straight as Louise Schumacher * Jordan Charney as Harry Hunter Cast notes * Kathy Cronkite (Walter Cronkite's daughter) appears as kidnapped heiress Mary Ann Gifford. * Lance Henriksen has a small uncredited role as a network lawyer at Ahmet Khan's home. * Tom Gibney, a now-retired news anchor in Toronto, Ontario, appears in an uncredited role as a news anchor < less

lyrics: Nate Nurmi produced by: Jordan Tuboly Lyrics: Hello everybody my name is Nathaniel, Do you doggystyle, call me the cocker spaniel, Randal and Daniel, are the names of my balls, Giv... more >

lyrics: Nate Nurmi produced by: Jordan Tuboly Lyrics: Hello everybody my name is Nathaniel, Do you doggystyle, call me the cocker spaniel, Randal and Daniel, are the names of my balls, Give them the phone when dem' hoes call, But my testes, ain't sayin' nothin' back, An awkward conversation when girls talk to my sack, My peers say I suck at rapping, why? I don't suck it's just different guys, When you rap about getting laid and getting paid, I rap about being afraid, Of Gangsta's, Wanksta's, and all you thugs, Being judgemental when I tell you Iv'e never done drugs, Cause I respect my momma, Never kissed a girl, I dont like girl drama, And I sure as hell don't wanna deal with no baby Momma's... Chorus (x2): I use my eyes to see, and my mouth to chew, I use my penis to pee, and my butt to poo Verse 2: My teeny little weenie never reaches 3 inches, If it was any bigger it'd be eatin' by finches, No joke, it happened to my boy JT, His average sized winky was about 4.3 (inches), It happened one day changing into a speedo, This motherf***in' birds ate his dick like a burrito, That's why I like my noodle, nice and small, Shrivels into nothing during winter and fall, And all you rappers who laugh at my meat, We'll see whose laughin' when the birds need to eat, Chorus Verse 3: Hello Motherf***ers my name is JT, And now I have to sit down when I go pee, Cause I ain't got no dick, The sight of my crotch would make whole goddamn clique sick, Those motherf***in' birds are the motherf***in' devil, Tore up my weiner til' it was grinded and disheveled, Bits and pieces, all over the yard, I'll kill those finches with a motherf***in' shard, Let me take you back to that fateful day, I was sittin' on the lawn, Catchin' some sun rays, But it got too hot, So I said I'd take a dip, Lookin' forward to sweet dives and some front flips, So I got my neato speedo, and took it on out, Pulled down my shorts, while I'm eatin' sauerkraut, Put on some sunblock that would come in handy, Next thing I know they ate my dick like candy, (Ate that shit like candy, Motherf***er) Chorus < less

Network is a 1976 satirical film about a fictional television network, Union Broadcasting System (UBS), and its struggle with poor ratings. It was written by Paddy Chayefsky and directed by ... more >

Network is a 1976 satirical film about a fictional television network, Union Broadcasting System (UBS), and its struggle with poor ratings. It was written by Paddy Chayefsky and directed by Sidney Lumet, and stars Faye Dunaway, William Holden, Peter Finch and Robert Duvall and features Wesley Addy, Ned Beatty and Beatrice Straight. The film won four Academy Awards, including Best Actor, Best Actress, Best Supporting Actress and Best Writing, Screenplay Written Directly for the Screen. Network has continued to receive recognition, decades after its initial release. In 2000, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In 2002, it was inducted into the Producers Guild of America Hall of Fame as a film that has "set an enduring standard for U.S. American entertainment."[1] In 2006, Chayefsky's script was voted one of the top ten movie scripts of all-time by the Writers Guild of America, East. In 2007, the film was 64th among the Top 100 Greatest U.S. American Films as chosen by the American Film Institute, a ranking slightly higher than the one AFI gave it ten years earlier. Long-time "UBS Evening News" anchor Howard Beale is fired because of declining ratings. He has two more weeks on the air, but the following night, Beale announces on live television that he will commit suicide by shooting himself in the head during an upcoming live broadcast.[2] UBS immediately fires him after this incident, but they let him back on the air, ostensibly for a dignified farewell, with persuasion from Beale's best friend and president of the News division Max Schumacher, the network's old guard news editor. Beale promises that he will apologize for his outburst, but instead rants about how life is "bullshit". Sympathetic towards Beale, and bitter over the station's treatment of him, Schumacher decides to keep him on the air to vent his frustrations. While there are serious repercussions, the program's ratings soar and, much to Schumacher's dismay, the upper echelons of UBS decide to exploit Beale's antics rather than pulling him off the air. In one impassioned diatribe, Beale galvanizes the nation with his rant, "I'm as mad as hell, and I'm not going to take this anymore!" and persuades Americans to shout out their windows during a lightning storm. Soon Beale is hosting a new program called The Howard Beale Show, top-billed as a "mad prophet". Ultimately, the show becomes the highest rated program on television, and Beale finds new celebrity preaching his angry message in front of a live audience that, on cue, repeats the Beale's marketed catchphrase en masse. Howard Beale (Peter Finch) delivering his "mad as hell" speech < less

Network is a 1976 satirical film about a fictional television network, Union Broadcasting System (UBS), and its struggle with poor ratings. It was written by Paddy Chayefsky and directed by ... more >

Network is a 1976 satirical film about a fictional television network, Union Broadcasting System (UBS), and its struggle with poor ratings. It was written by Paddy Chayefsky and directed by Sidney Lumet, and stars Faye Dunaway, William Holden, Peter Finch and Robert Duvall and features Wesley Addy, Ned Beatty and Beatrice Straight. The film won four Academy Awards, including Best Actor, Best Actress, Best Supporting Actress and Best Writing, Screenplay Written Directly for the Screen. Network has continued to receive recognition, decades after its initial release. In 2000, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In 2002, it was inducted into the Producers Guild of America Hall of Fame as a film that has "set an enduring standard for U.S. American entertainment."[1] In 2006, Chayefsky's script was voted one of the top ten movie scripts of all-time by the Writers Guild of America, East. In 2007, the film was 64th among the Top 100 Greatest U.S. American Films as chosen by the American Film Institute, a ranking slightly higher than the one AFI gave it ten years earlier. Long-time "UBS Evening News" anchor Howard Beale is fired because of declining ratings. He has two more weeks on the air, but the following night, Beale announces on live television that he will commit suicide by shooting himself in the head during an upcoming live broadcast.[2] UBS immediately fires him after this incident, but they let him back on the air, ostensibly for a dignified farewell, with persuasion from Beale's best friend and president of the News division Max Schumacher, the network's old guard news editor. Beale promises that he will apologize for his outburst, but instead rants about how life is "bullshit". Sympathetic towards Beale, and bitter over the station's treatment of him, Schumacher decides to keep him on the air to vent his frustrations. While there are serious repercussions, the program's ratings soar and, much to Schumacher's dismay, the upper echelons of UBS decide to exploit Beale's antics rather than pulling him off the air. In one impassioned diatribe, Beale galvanizes the nation with his rant, "I'm as mad as hell, and I'm not going to take this anymore!" and persuades Americans to shout out their windows during a lightning storm. Soon Beale is hosting a new program called The Howard Beale Show, top-billed as a "mad prophet". Ultimately, the show becomes the highest rated program on television, and Beale finds new celebrity preaching his angry message in front of a live audience that, on cue, repeats the Beale's marketed catchphrase en masse. Howard Beale (Peter Finch) delivering his "mad as hell" speech < less

. . . in which Loda Dimes singer Rush Olson and drummer Kevin Rothstein tell the world's women why they stand out in a shallow sea of musicians - emphasis on the word "shallow." See if their... more >

. . . in which Loda Dimes singer Rush Olson and drummer Kevin Rothstein tell the world's women why they stand out in a shallow sea of musicians - emphasis on the word "shallow." See if their music is groupie-worthy when you listen to Ten Cent Instant Rebate, the band's new album. Find it at Amazon, CD Baby, Indierhythm.com, and more. < less

A horrifying glimpse into the future of Jon and Kate Plus 8 and the Gosselin family. After getting a taste of television fame, Kate will do whatever it takes to stay in the spotlight. No mat... more >

A horrifying glimpse into the future of Jon and Kate Plus 8 and the Gosselin family. After getting a taste of television fame, Kate will do whatever it takes to stay in the spotlight. No matter what the cost. jon gosselin affair cheating partying adultery kate gosselin interview Natalie Morales kate my story Larry king nancy grace the view ellen jay leno today show jon kate plus gosselin family tlc final episode full episodes season five series finale interview Natalie < less