During election week, I went to New York to perform my stellar Bush and McCain impressions at some edgy, politically-charged comedy shows we don't have enough of in Los Angeles. After I landed, I got a message from my manager saying I had been booked to perform an additional gig at the German consulate in New York. The event was an election night dinner for a group of German journalists. For five days I tried to get in touch with the consulate directly, hoping to find out the time and location of the event, but the Germans would only communicate to me indirectly, through cryptic forwarded emails and one mysterious phone message from a private number. It was clear that these secretive bureaucrats did not wish me to know any more of their plans than necessary.
Their strict Teutonic itinerary continued: "He will go through security and proceed to the 23rd floor, where he will be greeted by Dr. Blaumann and will enter the room when called." Dr. Blaumann! The appropriate image came to mind:

"You vill arrive exactly at five-zirty p.m.!"
I hastily got into Bush makeup and suited up, allowing a ridiculously generous 90 minutes to get across Manhattan from my friend's apartment in Hell's Kitchen to the U.N. complex, where the consular missions are. I arrived almost an hour early, well aware that I was in technical violation of their 5:30 p.m. ultimatum. Jumping out of the taxi and hiding my face, I scurried away down 42nd Street, glancing behind me to make sure that I had not been spotted by any arriving German diplomats.
The consulate lobby was decorated in a crisp, angular style. On one wall hung a large, sad painting of an androgynous human or mannequin torso, surrounded by barbed wire, flowers and birds. Along the opposite wall, three wood carvings were arranged: one of a man inside a box, one of a man sitting on top of a box, and one of a man holding up a box. The German artist had pinpointed with maximum efficiency all three possible expressions of the man-box dialectic.

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